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National Features >

  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

My Morning Jacket

Evil Urges (ATO)

By Noah W. Bailey

Published on July 02, 2008

The first few tracks of My Morning Jacket's fifth studio album, Evil Urges, sound like a cruel put-on. Lead singer Jim James adopts the Prince-inspired falsetto he first toyed with on Z's "Wordless Chorus" for entire songs, only to have it come across more like a bad Ween joke than a recklessly brilliant Beck experiment. Sure, the band reverts to more familiar territory as the album progresses, rocking out "Mahgeetah"-style on the propulsive "Aluminum Park," and dabbling in gorgeous, blue-eyed soul on "Sec Walkin'" and the sexy "Librarian," which is easily the disc's best track. But with the trademark gravy-thick reverb dialed down this time around, the ugly truth becomes apparent: When you lift the veil of magical echo that coats most of the band's greatest songs, you'll find James a serviceable lyricist at best. As he once sang on 2001's near classic At Dawn, "It's just the way that he sings/Not the words that he says, or the band." But honestly, when James circa 2008 is busy singing about a "peanut butter pudding surprise" on the frat-party ready "Highly Suspicious," or conjuring an elementary school graduation on the Seals and Crofts–ish "Thank You Too" ("I want to see you for all that you do/I want to thank you") it's hard to give a shit anymore, no matter how pretty it sounds.



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