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  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Point, Shoot, and Trip

By Michael Leaverton

Published on January 22, 2008 at 4:20am

No photographer can resist abandoned carnivals, with all their rusted clowns and broken-down midways, but Chris Raecker teases that same surreal, haunted vibe out of fully functioning amusement parks, even ones big enough to support corkscrew coasters. He shoots in black-and-white and grabs huge chunks of open sky, cut through with clouds, sometimes featuring just a snatch of a rider being catapulted through space. In his exhibit "A Midnight Carnival," he gets his ghostly effect with digital means, and the dusky, nostalgic loneliness is as much about the drama of nature as the dark mystery of a traveling show.
Jan. 24-March 1, 2008