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  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

Tip of the Iceberg

By Michael Leaverton

Published on September 19, 2007 at 4:20am

In artist Ryan Scully's Water Rushing Through Forms, a soft, round, bulbous form floats in a turgid sea, a weighty lump that's set off by a small protuberance, seemingly reaching out to — OK, it's pretty much a boob. Creating flesh colored, humanlike blobs that hint at buttocks, torsos, feet, and hands is Scully's thing, and he places his objects in mad, colorful oceans that recall Japanese woodblock prints. His work shows up in the appropriately titled group exhibit "Fertile Ground," which also features the delicate juxtapositions of William Crump, who places beautifully rendered male athletes engaged in traditional sports (football, track and field) against traditionally feminine backgrounds like floral wallpaper. Sarah Sohn and Julia Marchand also contribute.
Sept. 22-Oct. 27, 2007