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Recent Articles
Recent Articles by Chloe Veltman
The election of Barack Obama imbues The America Play with new meaning.
Our critics weigh in on local theater
Our critics weigh in on local theater
In The Quality of Life, liberals and conservatives can both have their hearts broken.
Exploration of self-hating white guy is alternately dope and wack.
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National Features >
Miami New Times
South Florida's lawless exotic rental car industry keeps rolling.
By Gus Garcia-Roberts
Houston Press
In Texas, restitution for victims is nothing but a state-sanctioned sham.
By Chris Vogel
Seattle Weekly
If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.
By Jonathan Kauffman
Turn Out the Lights
Published on September 12, 2007 at 4:20am
Autograph-hungry groupies may wait outside the stage doors of Broadway theaters for Julia Roberts or Kevin Spacey to emerge, but playgoers rarely think about what happens to regular actors once the final curtain goes swoosh. Dutch multimedia theater company Kassys explores the post-show comedown in its part-video, part-live performance Kommer, and judging by the title (which means "sorrow" in Dutch) it's not all about bouquets from mysterious admirers and celebratory champagne. In the first half of the show, we watch the actors respond to a piece of devastating news. They wordlessly try to comfort each other, attempt to think practically, and go for walks to clear their heads. After 45 minutes, the live performance morphs into a virtual one. Video footage follows the same group of actors from the moment they finish the play that we've just witnessed to their dressing rooms backstage and eventually home. Our glimpse into the private lives of these thespians is as comical as it is depressing. One performer works a second job as an air steward and takes out her aggression in airplane restrooms. Another deals with his loneliness by talking to goats. Yet despite its meta-theatrical theme, the show is less about the harsh realities of a career behind the footlights than a study of humanity's collective desire for community and the grief we all face as human beings.
Sept. 14-15, 8 p.m.